The S5 includes five-axis picture stabilization that works in concert with stabilized lenses. It produces up to 6.5 ceases of stabilization, which can be better compared to GH5 but worse compared to S1. As normal, the optical stabilization alone is fantastic for handheld video or low-light photos, but it is no magic bullet. If you are walking or performing actions and want simple shots, your very best bet is to utilize a gimbal.
As for your autofocus, there is good news and bad information. Unfortunately, Panasonic stuck using its contrast-detect system that’s poor to the phase-detect autofocus utilized on Sony and Canon cameras, particularly when it comes to video. On the optimistic side, Panasonic has drastically boosted the autofocus system rate and added AI smarts. That makes for quicker subject simpler and acquisition confront and eye-tracking.
Continuous autofocus for photos works good, especially considering that the comparatively slow burst rates. For video, but the largest difficulty is pulsing, or tiny changes to and out of attention, since the contrast-detect system overshoots and recaptures focus. With that the S5, nevertheless, it is not as visible than previously, as a result of the excess rate and algorithm alterations. In reality, I hardly noticed it except for handheld shooting once I moved the camera around a lot, trying to monitor a border collie.
The S5 can take 4K 10-piece video from equally full-frame and 1.5X shot APS-C style with complete quality — providing you very shallow depth of field or a extra 1.5x “zoom” should you require it. However, the autofocus works somewhat quicker in APS-C mode since there are fewer pixels to process. All that’s to say that if you are shooting something which’s moving around and will need to be contingent on the autofocus, it is ideal to change over to APS-C style if at all possible.
Speaking of that, the face/eye-detection currently finds faces which are smaller in the framework, and monitors bodies at rates five times faster than previously. It may also follow your topic should they tilt their heads, but might get duped when they walk out of frame.
Overall, that the S5 claws concentrate a whole lot more faithfully than the bigger S1 collection. However, there is very good news for S1, S1H and S1R owners — all those cameras will shortly become firmware upgrades that provide them exactly the same hastened autofocus capacities of their S5.
Now, let us discuss the S5’s authentic forté, video. Cutting into the chase, the S5 outshines the bigger and more expensive S1. Period. Like that the S1, it supersamples to catch exceptionally sharp full-frame, APS-C and pixel-for-pixel video in up to 4K and 60 fps. After that, but the S5 has a definite advantage — even in the event that you’ve got the 200 video firmware alternative for the S1. .
You get 10-piece inner 4K video at around 60 fps, instead of only at 30 fps using the S1. At exactly the exact same time, it supports outside 4K 10-piece HDMI output at around 60 fps. It may also manage 1080de video at around 180 fps for actions and slo-mo. Unlike that the GH5, in addition, it includes V-Log-L video which allows for 14+ stops of dynamic selection along with HDR video recording. )
In addition, by the end of the calendar year, Panasonic will produce the S5 far more appealing for video experts by means of a firmware upgrade. That includes support for RAW video together with the $600 Atomos Ninja V, together with resolutions up to 5.9K (5,888 x ,312) in 30 fps. It’ll also provide support for C4K (4,096 x 2,160), a video help purpose, vectorscope display and shutter angle assistance (very convenient for videographers) along with shutter speed.
Panasonic stated it analyzed the S5 recording limitations over a larger temperature range compared to competitions like Canon — that can be suffering from a few bad press over possible overheating problems around the new EOS R5 and R6 versions. At temperatures around 40 C (104 F ) ) that the S5 includes a 30-minute recording time limitation to 4K 60de and 4K 10-piece 30de video, however Panasonic stated it could possibly run for more under ordinary conditions. At different resolutions and frame rates, such as the majority 1080de manners and 8-bit 4K, you will find “no limitations” on record, the company informed Engadget.
If that you were seeking the l-frame recording style located on the GH5 (which documents every framework individually to supposedly accelerate editing) it did not make the cut because of overheating issues. I didn’t particularly miss this.
I attempted vlogging together with all the S5, and it performed really well. The flip-out touchscreen makes it effortless to modify the focus stage or video configurations, whereas the insertion smooths out slight bumps and jolts. And while contrast-detect autofocus is not perfect, it functions really nicely with the camera close to your face. The built mic has adequate enough audio quality, but in addition, it is simple to plug into an outside shotgun or lapel mic. For $2,000 (and a lens), I feel the S5 is your very best full-frame vlogging camera accessible at this time.
As Sony well understands, rolling camera can be tough to control on CMOS detectors. Luckily, that the S5 manages it better than most other full-frame cameras. It’s still current if you do fast pans or shock the camera, but it is pretty well controlled. If it will become a problem, it is possible to reduce it substantially by shifting the camera into cropped APS-C or even pixel-for-pixel recording modes.
In terms of video quality, the S5 gave me just what I anticipated. I liked that the sharp 4K video with realistic colors and natural flesh tones, whereas the 10-bit V-Log-L video delivered exceptional dynamic selection and a good deal of space to colour correct or produce HDR videos. Panasonic said it utilized the exact same colour science about the S5 because its professional Varicam cameras. That means movie crews can use the S5 for a B-cam and readily match the colours.
The S5 has an ISO range between 100-51,200 (expandable to 50-204,000 ISO), together with a dual native ISO system which automatically switches into a light-sensitive circuit from dim light. With all it manages low-light conditions quite well. Don’t anticipate the close pitch-black shooting capacity of Sony’s A7S III (that has quadruple the pixel region ) however the S5 may stay informed about the A7 III, keeping noise down at ISOs as large as 25,600. Even at these amounts, video is eloquent and keeps colour saturation and accuracy.
The S5 has similar controls into the GH5, so users of this version will not have a lot of trouble shifting over. However, that the S5’s enormous sensor provides a much shallower depth of field with much more creative choices. For instance, you’re going to have the ability to isolate interview topics in their backgrounds with no super-fast lens.
With that the S5, Panasonic took its great present S1 camera and efficiently made it good by adjusting the slow aperture, adding additional 4K video attributes and which makes it a good deal smaller. It could usually be a simple choice for video founders, but the contest has not stood still, possibly.
Canon’s $2,500 EOS R6 has greater internal data speeds and exceptional Dual Pixel phase-detect autofocus, also it is better for still photography. ) However, that the S5 is $500 more economical and ought to suffer less from overheating problems that may cripple video recording the R6. The Nikon Z6 are available for $1,800 right now, but it lacks crucial features like inner 10-bit 4K tape and double card slots.
Fujifilm’s $1,700 X-T4 matches with the S5 nearly feature-for-feature, but has a bigger detector that is worse at low light and lacks that super-shallow depth of field. For $500 significantly less, Panasonic’s own GH5 includes a couple of additional video attributes (such as the aforementioned I-frame alternative ), but it’s a much smaller detector. Meanwhile, that the S5 appears to have made the S1 simple, since it does nearly everything better while becoming smaller and much more economical.
The Panasonic S5 is currently up for pre-order and will begin shipping in mid-September at $2,000 for your body only, or $2,299 together with all the 20-60mm f/3.5-5.6 lens which I found perfect for vlogging. It’s also offering a restricted pre-order advertising with a free Sigma 45mm F2.8 DG DN L-mount lens, while supplies last, as long as you buy an S5 by September 30th. That will provide you an extremely decent (and free) standard prime lens to begin.
When you add up all of the attributes, for example, stabilization, big detector, 10-little 4K alternatives, smaller dimensions and flip-out display, the S5 is a remarkable hybrid video and vlogging camera. Right today, I would say it is the best you can buy for $1,000 — to do any better, you would need to spend more.