Warning: Some little spoilers ahead for Unpregnant.
In HBO Max’s new humor Unpregnant, there is a scene in which Haley Lu Richardson’s Veronica Clarke sticks her head out the window of a moving SUV (driven by Barbie Ferreira’s personality Bailey) and also debunks lies round diplomatic. They’re in the middle of a high-speed auto chase between an anti-choice adult who’s crying out cyber truths, for example with one reduces your odds of getting pregnant later. “That’s not true, I googled it!” Veronica screams. “And frankly that’s a very problematic falsehood to be spreading!”
That chaotic minute is a microcosm of this movie: an adventurous friend comedy that manages to impart details about abortion without being preachy. Unpregnant follows a teenage girl who likes to receive an abortion, but it is not a film about the real choice — it isn’t a will-she-or-won’t-she plot — instead, it is about access to health care, and friendship, and creating your own conclusions.
Haley, who recently starred opposite Cole Sprouse at Five Feet Apart, performs Veronica, a type-A, Ivy League-bound high school senior that gets pregnant after having sex with her boyfriend, who employed a busted condom. Though she understands she needs an abortion, the reality of becoming one is tougher than she realized: that the film is put in Missouri, in which the nearest provider that does not need parental consent is 1,000 miles off from Albuquerque.
Isolated from her friends, family, and boyfriend Kevin (who would like to get married), Veronica turns into high school outcast and former best buddy Bailey (Barbie) to get assistance. Over the length of the movie, they emphasise religions about abortion and every other. It’s a coming-of-age narrative with a rare diplomatic storyline that is not traumatic; the most traumatic aspect, ironically, is that the raucous journey they must take for to lawful, safe health care.
“The option to obtain an abortion is very evident to Veronica nearly instantly. [It’s] the only alternative that is ideal for her and where she is in her entire life,” Haley informs Teen Vogue. “[The movie] is much more so about the pity she feels in visiting her mother, visiting her friends due to these pressures and outside expectations which folks will think she is a loser or that she is not perfect anymore. I enjoyed that that’s where the battle came out with her, and it was not a struggle to understand what she wished to perform.”
When Haley first read the script, it struck her “ambitious,” exactly the way in which the film balances a severe narrative with a funny sheen. She says that it made her anxious, the concept that this type of narrative could “go wrong” from how it navigates teen humor, friendship, and societal difficulties.